The
typeface mrs eaves was designed in 1996 by a designer named Zuzana Licko. In
1996 the president was Bill Clinton. Internet Explorer three came out. A tank
of gas was $1.22. Popular musical artists or groups were The Spice Girls,
Maraiah Carey, Madddona, 2pac, and The Foo Fighters. Popular movies that came
out in 1996 were 101 Dalmatians, Mission Impossible, Twister, and Independence
Day. The Dallas Cowboys won the superbowl, and Kentucky won the NCAA Basketball
Championship.
Zuzana
Licko was born in 1961 in Bratislava, Czecholoakia. She got a degree in Graphic
Communication from theUniversity of California at Berkely in 1984. In 1984,
with her husband Rudy Vanderlans, she founded Emigre Magazine. Zuzana Licko (Slovak: Zuzana Ličko;
born 1961) is a typeface designer based out of the San Francisco Bay Area who was born in Bratislava, Czechoslovakia. Licko came to the United States
when she was a child along with her family. She studied architecture,
photography and computer programming before earning a degree in graphic
communications at the University of California at Berkeley. Zuzana’s
father was a bio-mathematician and at the University of California, San
Francisco and through his job she became involved with computers during the
summer months when she helped him with data processing work. When she first
started attending the university her goal was to earn a degree in architecture
but she then changed to a visual studies major because she believed becoming an
architect was in her eyes, too similar to going to business school. While at
Berkeley, Zuzana took a calligraphy class, which happened to be her least
favorite due to the fact that she had to write with her right hand even though
she was left handed. This experience later influenced her when she started
working on type design, which was more computer-based. In an
interview featured in Eye (No. 43, Vol. 11, Spring 2002), Licko described her creative
relationship with Vanderlans:
We
met at the University of California at Berkeley where I was an undergraduate at
the College of Environmental Design and Rudy was a graduate student in
photography. This was in 1982-83. After college we both did all sorts of
design-related odd jobs. There was no direction. Then, in 1984 the Macintosh was introduced, we bought one,
and everything started to fall into place. We both, each in our own way, really
enjoyed this machine. It forced us to question everything we had learnt about
design. We both enjoyed that process of exploration, of how far you could push
the limits. Rudy is more intuitive; I’m more methodical. Yin and yang. It
seemed to click, and still does.
Mrs
Eaves is named after Sarah Eaves, the woman who became John Baskerville's wife. As Baskerville was setting
up his printing and type business, Mrs. Eaves moved in with him as a live-in
housekeeper, eventually becoming his wife after the death of her first husband,
Mr. Eaves. Mrs Eaves is a revival of the types of English printer and
punchcutter John Baskerville, and is related to contemporary Baskerville typefaces.
Like
Baskerville, Mrs Eaves has a near vertical stress, departing from the old style
model. Identifying characters, similar to Baskerville's types, are the
lowercase g with its open lower counter and swashlike ear.
Both the roman and italic uppercase Q have a flowing swashlike
tail. The uppercase C has serifs at top and bottom; there is
no serif at the apex of the central junction in uppercase W; and
the uppercase G has a sharp spur suggesting a vestigial serif.
Licko's
revival is less academic than some, basing as many of its details on
contemporary methods of reproduction: the flatness of offset lithography in
comparison to letterpress printing, and the resolution of set devices, and
on-screen display. The overall stroke weight of Mrs Eaves is considerably heavier
than most other revivals, countering the often anemic reproduction of smaller
point sizes in other digital revivals of Baskerville, and restoring some of the
feeling of letterpress printing's unpredictability.
Licko's
selection of the name Mrs Eaves reveals an interesting story.
Like his types, John Baskerville was, himself, a controversial character. He
hired Sarah Eaves as his housekeeper. Eventually her husband Richard abandoned
her and their five children, and Mrs Eaves became Baskerville's mistress and eventual
helpmate with typesetting and printing. She married Baskerville within a month
of her estranged husband's death. Selection of the name Mrs Eaves honors one of
the forgotten women in the history of typography.
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Mrs eaves is
a transitional serif font, and comes in several different versions. It comes in
Roman, Bold, Italic, Fractions, Petite Caps, and Small Caps. The typeface was
named after Sarah Eaves, who was John Baskerville mistress and later wife. Mrs
eaves is heavily influenced by the Baskerville typeface that was created by
John Baskerville in 1757. It is much more feminine than Baskerville. John
Baskerville original font was much heavier and bolder, mrs eaves is considered
to be a heavier revival of a classic font.
She
uses vertical stress from the old style model. Licko reduced the contrast while
retaining the overall openness and lightness of Baskerville by giving the lower
case characters a wider proportion. She reduced the x-height relative to the
cap height to avoid increasing the set width. Some of mrs eaves characters are
awkward, narrow, wide, and some strokes lead to serifs that are different and
unpronounced. Some say that the spacing of mrs eaves is too loose and large for
large bodies of text. Typographers criticize it for its very loose an uneven
spacing, and for only having a few kerning patterns. As a whole though the mrs
eaves is an imperfect, but pleasing font.
Mrs
eaves has had commercial success and is a popular typeface. It is most commonly
used on book covers and spines. It can be seen on Penguin Classics from Penguin
Books. Mrs eaves can also be seen on album covers like Blacktree Quicksilver
and Radiohead’s 2003 album Hail to the Thief. NBC even used is on their show
“For Love or Money.”
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